Bach Bibliography Search Result

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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Sechs Sonaten fürs Clavier mit veränderten Reprisen - von Carl Philipp Emanuel Bach. Berlin, im Verlage der Rellstabschen Musikhandlung und Musikdruckerey. 14 Bog. Qfol.	AllgDBib	67	2	1786	450-454
	2.	Das Klavier (I) [Entwicklung seit der Erfindung des Spinetts]. Section: II. [Entwicklung des Klavierrepertoires].	MsTheaterM	11	49	9 Dec 1865	769-772
	3.	Johann Sebastian Bach.				1885	160p
	4.	Bach Concordance and Cyclopaedia.				c 1900
	5.	Bach's Last Fugues.	MTimes	55	853	Mar 1914	161-164
	6.	Bach-Ausstellung im Gohliser Schlößchen. Bach-Dokumente aus Leipziger Besitz.	LeipzigerNNachrichten			15 Jun 1935	1p
	7.	Johann Sebastian Bach.				1943	xxiv, 166p
	8.	Gottes Zeit ist die allerbeste Zeit. Zwei Geschichten um Johann Sebastian Bach.				1949	77p
	9.	Philadelphia Orchestra Presents Bach Oratorio.	MAmer	80	1	1 Jan 1960	40-41
	10.	Harpsichord Society in All-Bach Program.	MAmer	80	5	Apr 1960	23
	11.	Bach's Organ Works: Plea for New Recording.	MTimes	101	1408	Jun 1960	383
	12.	Bach's American Organ.	MJournal	20	8	Nov-Dec 1962	14, 92
	13.	My heart ever faithful: three-part song (S.S.A.) / music by J. S. Bach				1965	8p
	14.	Sonaty i partity J. S. Bacha na skrzypce solo. Studium edytorskie i wykonawcze.				1970	123p
	15.	Rare music manuscripts at Harvard.	CurMcol		10	1970	25-33
	16.	Hearing: Physiology and Psychophysics.				1971	xi, 258p
	17.	Bach's Miracle at Cöthen.	MJournal	31	10	Dec 1973	17
	18.	Bethlehem / USA. Amerikanisches Bachfest.	Musica	27	4	Jul-Aug 1973	373-374
	19.	English Bach Festival. Bach.	MMusicians	24	11: 287	Jul 1976	45-47
	20.	George Polgreen Bridgetower: An African Prodigy in England 1789-99.	MQ	66	1	Jan 1980	65-82
	21.	Johann Sebastian Bach's Matthäus-Passion: a Performance History 1829-1854.	diss.			1983	viii, 458p
	22.	A Comprehensive Index of J. S. Bach Books in English.	Organ	63	247	Jan 1984	36-45
	23.	Bach in 1985.	AmerOrganist(2)	19	3	Mar 1985	65-67
	24.	Bach's Choral Music: An Overview.	AmerOrganist(2)	19	3	Mar 1985	130-133
	25.	Felix Mendelssohn's Search for Historical Authenticity: His Two Performances of Bach's St. Matthew Passion.	[p]AMS_Allegheny			Apr 1985
	26.	Style and Structure in the Praeludia of Dietrich Buxtehude.	StudMcol	82		1985	vi, 349p
	27.	Tempo and Rhythm in Bach's Cantata Ouvertures.	Bach	17	1	Jan 1986	3-17
	28.	Towards a Critical Understanding of Buxtehude's Expressive Chorale Preludes.	StudM(AnnArbor)	107		1990	87-106
	29.	Die Gesangbuchsammlung Wernigerode in der Staatsbibliothek.	JbPreussKulturbesitz	28		1991	329-338
	30.	Felix culpa: Goethe and the image of Mendelssohn.	[ce]MendelssohnStudies			1992	64-79
	31.	The Authenticity of and Theology behind Bach's Kleines harmonisches Labyrinth.	[p]AMS_Kansas			Nov 1999
	32.	Bachs 'Kleines harmonisches Labyrinth' (BWV 591). Echtheitsfragen und theologischer Hintergrund.	BachJb	86		2000	51-65
	33.	The Maze and the Warrior: Symbols in Architecture, Theology, and Music.				2001	ix, 351p
	34.	Sei solo a violino / Johann Sebastian Bach.				2001	x, 103p
	35.	20. Köthener Bach-Festtage: 1. bis 5. September 2004. Festbuch.	BachFesttage_Köthen	20		2004	132p
	36.	Gravicembalo col piano, e forte: eine Annährung an Bartolomeo Cristoforis Erfindung des Hammerflügels.	Concerto	22	201	Apr-May 2005	25-29
	37.	From Renaissance to Baroque. Change in Instruments and Instrumental Music in the Seventeenth Century.	[cr]York1999			2005	xx, 321p
	38.	Wie war Cristoforis klangliche Vorstellung vom 'neuen' Instrument?	JbStaatInstMf	2004		2005	123-135
	39.	Singende Seele or Unsingbar?: Johann Forkel on the Music of Ockeghem.	[p]AMS_Washington			Oct 2005
	40.	Three Sonatas & Three Partitas for Solo Violin, BWV 1001-1006 / BACH.				2006	91p
	41.	Recent approaches in understanding Cristofori's fortepiano.	EarlyM	34	4	Nov 2006	635-644
	42.	'Singende Seele' or 'unsingbar'? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries.	JMcol	23	1	Winter 2006	3-61
	43.	Karol Szymanowski w perspektywie kultury muzycznej przesz³oœci i wspó?czesnoœci.	[fs]Helman70			2007	686p
	44.	Elision and the Embellished Final Cadence in J. S. Bach's Preludes.	MAnalysis	26	3	Oct 2007	267-288
	45.	Labyrint a bojovník: Symboly v architektuøe, náboženství a hudbì.				2008	340p
	46.	Ockeghem as 'The Bach of his day'.	[fs]Blackburn			2009	577-592
	47.	Bach, Nippon, soshite Ningen no Seishin ni sasageta Ichiya.	BCJ		94	Jul 2011	33
	48.	Camille Saint-Saëns.	[ce]19cChoralM			2012	274-283
	49.	Scaffolding instruction on improvisation – training organists within the Bach circle and beyond.	[p]BICB_Southampton			Jul 2012
	50.	Subdominant Returns in the Vocal Music of J.S. Bach.	18cM	10	2	Sep 2013	253-276
	51.	The Mutable Subject: Tonal and Rhythmic Transformations in Selected Fugues of J. S. Bach.	JMTheory	58	1	Spring 2014	1-24
	52.	The opening tonal complex of Bach's St. Matthew passion: A linear view.	EastmanStudM	136		2016	12-25
	53.	Variations in Practice: The Minuets from the Notenbuch dal Signor Kittell (1789).	[p]BICB_Canterbury			Jul 2016
	54.	Teaching Bach's Aria Forms: Expanding Students' Analytical Horizons.	Bach	49	2	2018	266-280
	55.	Affective practices in mid-18th-century German music-making: reflections on C. P. E. Bach's advice to performers.	EarlyM	48	2	2020	193-203